Bedside tables (nightstands) - Part 12 - Finishing

Sapele, like mahogany, is quite an open pored wood. It can be finished after sanding to 220grit with most finishes but leaves slight pock marks or small microcraters in the finish. To get better results I find it is best to pore fill. You can use something as basic as shellac to do this but in my years of making stringed instruments I find a proprietary sealer much better.
The one I use all the time for mahogany is a oil based thixotropic pore sealer called Jecofil made by W.S. Jenkins & Co Limited. The one I'm using for this project is Jecofil JO27 Mahogany.

This is a coloured sealer that is first applied with a foam brush with the grain. Then you work accross the grain with the foam brush to prevent it being pulled. out. The spirit in the sealer evaporates but before that you simply wipe across grain with a rag. It tints the pores slightly and the mahogany one I'm using gives a slight red/brown colour to the timber.

The sealer has the consistency of mud when stirred and it is very time consuming to do. The results when you apply finish though are simply stunning it is well worth doing.

I applied it to all the show surfaces of each table, the tops, intermediate tops and the drawer fronts. W.S.Jenkins also make Jekofil for oak but I left the secondary oak wood of the drawers natural and unfilled.

Finish.

I decided on this project to use my dwindling supplies of Arm R Seal semi gloss. After pore filling and leaving overnight I lightly sanded with 400 grit just to provide a key. This got rid of any rough bits of Jecofil that may have been remaining on the surface.
Then I gave each part of the project 2 coats of wipe on Seal-A-Cell (according to General Finishes best results with wipe on Arm-R-Seal are with SAC on first! - not me speaking :) )
After rubbing down between coats with 600 grit with a mineral spirits lubricant to make sure that I got a smooth base layer I then applied two more coats of Arm-R-Seal. On the horizontal surfaces I gave them 2 more coats (6 coats in all on the horizontal surfaces).

Some photos after two coats of Seal-A-Cell are below. There isn't much colour variation in real life as there are in the pictures. Digital camera has lied!

Intermediate tops and one drawer

Another drawer

The tables

The table tops

The results of a wipe on finish are stunning. You do have to watch for runs though and wipe them off before it cures. Good lighting is recommended when applying any finish. Once you have completed the job get out of the shop. Dust nibs can fall by air movement caused by you walking around in your shop - especially in the majority of home woodworkers non dedicated finish areas. As you build up coats the wood takes on more and more of a depth. Both seal r seal and arm r seal have tints and this changes the colour.

I left the finish to cure for 2 weeks before the next stage.

In a future project I will be using black Jecofil on an ash bodied 5 string bass guitar. You may be interest to see what happens to the wood grain on that project. I'm not sure myself but my customer was really stoked by the thought.

Bedside tables (nightstands) - Part 11d - Intermediate Tops (and some veneering)

The shelves were next and they were produced in exactly the same way as the top, two boards jointed and glued together.

Then I noticed a huge problem - I only had enough sapele wood for the two bottom shelves. I had miscalculated on the amount of stock I needed. Fortunately I had some baltic birch plywood 18mm thick (3/4" nominal)

and I have a heap of veneers - some are rolls of sapele. So I set about veneering the top face of some of the birch ply. Normally I would veneer both sides of a substrate to ensure flatness but this is 18mm thick and won't bend appreciably.

I don't currently own any vacuum veneering equipment yet and normally use the veneer pressing method. Essentially this involves using some cold press veneer adhesive, gluing the veneer to the ply substrate and then applying a plastic covered caul over the top of the veneer with a large weight and a few clamps holding it down while it cures.
This works fine for flat even shaped panels such as this.

Preparing the veneer

The first thing to do was to cross-cut the veneer to approximate length. I use a proper veneer saw with a craft self healing mat as a backer. I also use a safety rule as a straight edge. No point in risking your fingers whilst pressing down on a regular ruler.

Self healing cutting mat and a safety ruler

The Pax veneer saw - Sheffield England made.

When I had cut up enough lengths of veneer I needed to get it's moisture content up to stop it from bending or potato chipping. There are a few veneer conditioners that are available in the US but I can't get any of them or anything like it in England - not sure why nobody makes it over in Europe as it looks great. Anyway I just use regular tap water to spray on both sides of the veneer.

Liberally spraying with water

I first placed a sheet of ply onto the bench and a layer of paper shop rag. Then each sheet of moistened veneer is placed in alternate layers with shop rag in between making up a sandwich of veneer and shop rags.

1st sheet placed onto a plastic covered ply caul with a layer of
shop rag underneath

Subsequent layers of moistened veneer and shop rag
are placed on top to create a sandwich.

The final layer has another layer of shop rag placed over the top.

Then another plastic coated caul of plywood is placed on top and held down with some stage weights (or anything heavy you may have in your shop).

The sandwich is left overnight

Veneer glue-up.

The next day I came back and had a look at the now flattened veneers. All was good. I then used a straight edge to cut a straight line down one edge of the veneer. I also did another piece and butted them together. Sometimes you have to have another go to ensure that you get it straight.

Cutting a straight edge

Then I applied veneer tape to the upper surfaces of each leaf to hold it together. Glue was spread on both the veneer and the baltic birch ply substrate. The veneer glue I use is Titebond cold press veneer adhesive. I apply it with an ink roller.

The veneer was then applied to the substrate and pressed down with a veneer roller.

Pressing down from the centre to the edges with
a veneer roller.

The plastic faced ply cauls were brought back into use again and used to clamp the veneer/ply together and left to cure overnight.

Stage weights and extra clamps were used

Cutting the boards to size.

I had already cut the plywood substrate to size in a previous operation. When the newly veneered board was taken out of the press all that was left to do was to cut the excess from the board.

Excess cut off with a veneer saw.
You have to take care in this process as you can chip the
edges and show face of the veneer unless you are careful.

 The board was turned over and the veneer tape was removed. The boards were then cleaned up with a random orbit sander taking care not to burn through.

A finished board. I used 180 to 220 grit on a random
orbit sander to clean up.

Rabbetting (rebating) the edges.

 Each board then had a 4mm (5/32") deep rabbet applied to the underside to ensure that the top of each shelf came slightly below the shelf support rails. We had decided in the early stages of the design that this slight lip would prevent items such as pencils rolling off the shelves.

Rabbet was applied by hand with a Record #778 Rebate/Rabbet plane

So I dodged a bullet there and the moral of the tale is always ensure you have enough stock to complete the project or learn how to veneer.

Bedside tables (nightstands) - Part 11c - Top shaping

After cross-cutting the tops to length on my new table-saw sled it was time to produce the bevels on the underside of each top.
I have designed the tops to have a bevel on three sides only as the rear is flush with the legs and has no overhang. The bevel measures 1/4" x 1" and a pencil line is transferred onto each relevant face using an adjustable square.

6mm (1/4") deep - underside of top is facing upwards

25mm (1") wide

My table-saw is a right tilt blade which means the blade tips in to the fence. This is quite limiting as it means I couldn't construct a jig to hold the work-piece vertical whilst running on the fence to produce the bevel with the table-saw blade.
It does however have a sliding table on the left side of the blade onto which I could mount a jig to do the same thing. This is a bit of overkill for so few bevels and it is far easier to do them by hand with a few planes. This is what I normally do and it doesn't take very long.

First of all place the tabletop upside down onto the bench preferably with a spacer (some plywood is ideal) in between. The spacer servers two purposes it raises the work-piece so you are not risking planing the bench and also ensures any embedded crap on the bench does not get transferred through to the tabletop. The first bevels to create are the cross-grain ones. On the far end I like to apply a slight chamfer just in the area where the plane comes off the wood. This is to minimize break out.

Then using a series of planes starting with a block plane, in my case a Stanley #130, set for a heavier cut I started establishing the bevel.

As more and more wood gets taken off it gets difficult doing this with one hand so I then use a #5 jack plane. I keep checking that I am getting close to the line on both faces and when almost there I stop.

Then using a low angle bevel up smoother just work slowly until you kiss the pencil marks.

I then finish off with some 80 grit self adhesive sandpaper applied to my wife's favourite grained piece of oak scrap. If you read this blog often you will be familiar with this particular "beautiful grained" item of scrap.

I then did the other cross-grain bevel using exactly the same method. The final bevel was established on the front edge with the grain. This has the benefit of cleaning up any tear-out that was produced by going across grain in the previous operation.

If you get it right the bevels will intersect with a nice 45 degree mitre. It takes me about 5 minutes to do each bevel. It would have taken me a day or so to make a holding jig to do the same on the table-saw and it wouldn't have necessarily produced results as good as this (on my table saw at least - yours might be different).

Thinning the edge of a table top down gives it the appearance of slenderness even though the actual table top is substantially thick.
The final process was to run a small ovulo bearing guided cutter around the perimeter of the upper face.

Bedside tables (nightstands) - Part 11b - A cross cut sled

As my existing crosscut sled wasn't deep enough between its fence and the support member I had to make another. This was long overdue.

I made another from 1/2" MDF sheet and some oak and sapele scraps I had. I won't go into the constructional details of this but suffice to say it follows a similar method to Marc "The Woodwhisperer" Spagnuolo's and William Ng's sled construction techniques. Real easy to make and this is about my 6th one over the years that I have made. The other smaller one is still ok (ish) and will be used for smaller items.

No fancy shaping of the crossmember and fence.
I find it better leaving straight as you can clamps things to the fence
very easily.

There is a single mahogany quartersawn guide rail secured to the bottom of the sled and the whole underside has had a coating of wax applied.